I'm making progress with my senior project, TIME HOTEL. I've completed the 1st of 12 virtual installations. Each installation is dedicated to a different month and this one relates to July. Here's a glimpse.

Each object relates to one "Time Card" created in July, I'm sticking to objects that are familiar to me, objects that I interact with regularly. 

An aspect of virtual reality that I enjoy is that it's conversational. To see the work, a viewer needs to enter into the studio space and receive a short tutorial about how to use the controllers to move through space. This can also be a barrier if the person is having difficulty using the controllers, that's why I've been creating scenes where the VR controllers are optional. Someone can see the scene in a 360 view without the controllers, if they feel engaged with it they can then ask for the controllers and move wherever they like.

I'm interested in hearing more feedback about this. I'll include a link to the drawing if you're able to check it out on Tilt Brush (or in VR). 

I'm also including a process video (because who doesn't love a process video?). I'll be uploading a lot of these in the following weeks with some tools and tricks that I've stumbled upon. 

Time to go back to work, more updates to come!



The first semester of junior year has ended and I have more time to consider the past four months. I have no structure to these posts, simply my thoughts as they arrive to me. Last December I made a line drawing during the landing of a plane, recording the vibrations as it landed. I couldn’t have imagined then how important the act of recording would become to my artistic process. I just finished a 10’ ink on paper line drawing of 1000 lines using primary colors.

Ink on paper, 1000 lines, 23 hours 5 minutes 13 seconds

Ink on paper, 1000 lines, 23 hours 5 minutes 13 seconds

I have been told by my peers and teachers that the rectangle is repelling from a distance yet stimulating up close.

The drawing was interesting towards the end because as I drew I had to count each line out loud to stay on track for 1000. speaking numbers as I draw has been a relatively new process that refocuses my intention at the start of each line. It also has had some unexpected results. I've always perceived numbers with colors simultaneously, not to the extent that some people experience synthesesia, but the link has been there as long as I can remember. The act of counting has made those connections more apparent. If I'm counting line number three and drawing a blue line something feels off since the numeral three is yellow to me. To explore this further, I've been making monotype prints and paintings with numbers drawn in their related colors.

There’s a declarative aspect to the pieces, they feel like math rubrics. I have been recording the time for each number/color work but I’m not sure if it’s necessary. I also need to point out that these works are interpretive and just because I’m using a blue doesn’t mean that it’s the ‘correct’ blue. Often I would draw a number and the color would feel slightly wrong. In my number painting I found most of my process to be corrective, trying to make the work more ‘right’. I also created an audio track of the numbers 1-288 counted with sounds overlapping each number. Different pitched sounds would represent a color and as the numbers climbed to the double digits the overlapping sounds became more complicated, reminiscent of a trance track.  

Monotype. Numerals 1-64

Monotype. Numerals 1-64

This fall has been an integral part to my development as an artist and I'm excited for the new year. 

My best,